Niles Luther

composer-cellist

“… to officiate a marriage

between the classical tradition,

and the modern ethos.”

“… to officiate a marriage

between the classical tradition,

and the modern ethos.”

YHWH

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  • I. Gendarme 00:00
  • II. Sehnsucht 00:00
  • III. Bergschrund 00:00
  • IV. Snow Dance 00:00
  • V. Smile 00:00
  • VI. Sinking Moon 00:00
  • VII. Encounter 00:00

About

bio

Niles Luther is a New York based composer and cellist who endeavors to bridge the gap between art forms by borrowing from the classical tradition and lending its sustained excellence to the artistic and musical idioms of the contemporary era. Known for his instinctive musicality, artistic flexibility, and charismatic performance style, Luther means to synthesize his experience within the institution of classical music and his reality as a young Ugandan-American man in an effort to diversify the sonic and artistic landscapes of the 21st century.

As a classically trained instrumentalist, Luther has studied the violoncello with professors Ole Akahoshi of the Yale School of Music, and Wolfram Koessel of the Manhattan School of Music. He has won prizes in both the Lilian Fuchs Chamber Music Competition and the Ruth Widder String Quartet Competition in Manhattan School of Music’s 2016, 2017, and 2018 academic school years. Because of his dedication to chamber music, Luther was awarded the cello he currently plays in a long-term loan from violinist Laurie Carney of the American String Quartet. Additionally, he was selected to be one of three American cellists to participate in an international cello festival hosted by the Shanghai Conservatory of Music in celebration of their 90th anniversary. The festival consisted of solo performances, masterclasses, and cello ensemble work led by renown cellist Jian Wang in November of 2017. Luther has served artist residences at the Greenfield Hill Congregational Church in Fairfield, CT and Christ Church in Summit, NJ where he would regularly perform classical solo and chamber works. The latter residency was offered by church composer Mark A. Miller for the 2016-2018 seasons. Luther would collaborate weekly with Miller, performing his latest compositions for cello and helping to contract small chamber orchestras for Miller’s larger commissions.

In addition to his classically oriented performance work, Luther served as principal cellist for the Rootstock Republic contracting agency from 2016-2017. Due to this position Luther has performed with OneRepublic on Good Morning America.  Additionally Luther has performed on The Tonight Show Starring Jimmy Fallon, and Late Night with Seth Meyers, working with artists such as  Solange Knowles, Bastille, Common, De La Sol, Estelle, BJ the Chicago Kid, SEAL, The Roots, Mac Miller, and Bilal. Most of these performances were on the subjects of racial equality and social justice. 

vision

To officiate a marriage between the classical tradition and the modern ethos. The purpose being not to bury one’s head in the museum of antiquity, or to become fleetingly relevant, but to study the past in search of a sustainability that will propel relevancies of the present into the timelessness of the future. More specifically to query the music of the past for the nature of its permanence, and apply those verities to the music cherished by the common human in the modern era, so as to beget a newness in the canon, and provide depth to the greater populace.

Luther was the principal cellist on the score for the Oscar-nominated movie Mudbound (directed by Dee Rees with music by Tamar-kali), later bought by Netflix after its Sundance debut, as well as cellist for the limited run Broadway show Rocktopia in the spring of 2018. He also served as on-site contractor for the recording session of Alexandre Desplat’s Little Women film score in the summer of 2019.

In May of 2019, upon his graduation with a bachelor’s degree in classical cello performance from Manhattan School of Music, and after successful completion of his first composition (a score for Kehinde Wiley’s art film Tahiti which debuted at Galerie Templon in Paris), Luther was offered the position of Musical Director for the Kehinde Wiley Studio, where he now serves as resident cellist, composer, contractor, and producer. In addition to numerous performances on behalf of the studio, Wiley and Luther have collaborated on the production and site-specific installation of several art films, each in representation of Wiley’s latest body of work at galleries in New York, London, and Paris. The most recent film, The Yellow Wallpaper, debuted in London at the William Morris Gallery with additional support from the Stephen Friedman Gallery in February of 2020. The films’ original score was composed, recorded, and produced by Luther.

Luther was most recently seen in February of 2020 when Brooklyn Museum asked him to curate, produce, and perform a concert to kick off Black History Month and the First Saturday event series at the museum, as well as represent the Kehinde Wiley Studio in the opening of the new exhibition “Jacques Louis David meets Kehinde Wiley”. The concert program included baroque and classical French works as well as the US debut of “Nocturne No. 1 in c minor ‘Chant d’espoire’”, Luther’s original score commissioned for Wiley’s Tahiti art film.

Luther believes that ultimate purpose and meaning lie within the divining of truth. For him, it is through the vehicle of art, through the vessel of music, through the violoncello. However, he still finds time to pursue his many and varied interests which include fashion, design, psychology, philosophy, space travel, renewable energy, bushcraft, and high-altitude winter mountaineering!

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vision

To officiate a marriage between the classical tradition and the modern ethos. Not to bury one’s head in the museum of antiquity, or to become fleetingly relevant, but to study the past in search of a sustainability that will propel relevancies of the present into the timelessness of the future. To query the music of the past for the nature of its permanence, and apply those verities to the music cherished by the common human in the modern era, so as to beget a newness in the canon, and provide depth to the greater populace.

bio

Niles Luther is a New York based composer and cellist who endeavors to bridge the gap between art forms by borrowing from the classical tradition and lending its sustained excellence to the artistic and musical idioms of the contemporary era. Known for his instinctive musicality, artistic flexibility, and charismatic performance style, Luther means to synthesize his experience within the institution of classical music and his reality as a young Ugandan-American man in an effort to diversify the sonic and artistic landscapes of the 21st century.

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As a classically trained instrumentalist, Luther has studied the violoncello with professors Ole Akahoshi of the Yale School of Music, and Wolfram Koessel of the Manhattan School of Music. He has won prizes in both the Lilian Fuchs Chamber Music Competition and the Ruth Widder String Quartet Competition in Manhattan School of Music’s 2016, 2017, and 2018 academic school years. Because of his dedication to chamber music, Luther was awarded the cello he currently plays in a long-term loan from violinist Laurie Carney of the American String Quartet. Additionally, he was selected to be one of three American cellists to participate in an international cello festival hosted by the Shanghai Conservatory of Music in celebration of their 90th anniversary. The festival consisted of solo performances, masterclasses, and cello ensemble work led by renown cellist Jian Wang in November of 2017. Luther has served artist residences at the Greenfield Hill Congregational Church in Fairfield, CT and Christ Church in Summit, NJ where he would regularly perform classical solo and chamber works. The latter residency was offered by church composer Mark A. Miller for the 2016-2018 seasons. Luther would collaborate weekly with Miller, performing his latest compositions for cello and helping to contract small chamber orchestras for Miller’s larger commissions.

 

In addition to his classically oriented performance work, Luther served as principal cellist for the Rootstock Republic contracting agency from 2016-2017. Due to this position Luther has performed with OneRepublic on Good Morning America. Additionally Luther has performed on The Tonight Show Starring Jimmy Fallon and Late Night with Seth Meyers working with artists such as Solange Knowles, Bastille, Common, De La Sol, Estelle, BJ the Chicago Kid, SEAL, The Roots, Mac Miller, and Bilal. Most of these performances were on the subjects of racial equality and social justice.

 

Luther was the principal cellist on the score for the Oscar-nominated movie Mudbound (directed by Dee Rees with music by Tamar-kali), later bought by Netflix after its Sundance debut, as well as cellist for the limited run Broadway show Rocktopia in the spring of 2018. He also served as on-site contractor for the recording session of Alexandre Desplat’s Little Women film score in the summer of 2019.

 

In May of 2019, upon his graduation with a bachelor’s degree in classical cello performance from Manhattan School of Music, and after successful completion of his first composition (a score for Kehinde Wiley’s art film Tahiti which debuted at Galerie Templon in Paris), Luther was offered the position of Musical Director for the Kehinde Wiley Studio, where he now serves as resident cellist, composer, contractor, and producer. In addition to numerous performances on behalf of the studio, Wiley and Luther have collaborated on the production and site-specific installation of several art films, each in representation of Wiley’s latest body of work at galleries in New York, London, and Paris. The most recent film, The Yellow Wallpaper, debuted in London at the William Morris Gallery with additional support from the Stephen Friedman Gallery in February of 2020. The films’ original score was composed, recorded, and produced by Luther.

 

Luther was most recently seen in February of 2020 when Brooklyn Museum asked him to curate, produce, and perform a concert to kick off Black History Month and the First Saturday event series at the museum, as well as represent the Kehinde Wiley Studio in the opening of the new exhibition “Jacques Louis David meets Kehinde Wiley”. The concert program included baroque and classical French works as well as the US debut of “Nocturne No. 1 in c minor ‘Chant d’espoire’”, Luther’s original score commissioned for Wiley’s Tahiti art film.

 

Luther believes that ultimate purpose and meaning lie within the divining of truth. For him, it is through the vehicle of art, through the vessel of music, through the violoncello. However, he still finds time to pursue his many and varied interests which include fashion, design, psychology, philosophy, space travel, renewable energy, bushcraft, and high-altitude winter mountaineering!

click the logo for more

Services

Performance

“For me, to perform is to sublimate and musicalize what it means to live a life fully human.” – Niles Luther

Composition

“My music attempts to express the archetypal stories of humanity:

The Struggle of the Oppressed,

The Will to Overcome,

The Desire to be Free,

and The Search for Meaning.” – Niles Luther

Contracting

“I wish to globalize a stage wherein ethnic diversity, musical passion, and quality of sound synthesize to produce the ultimate sonic experience.” – Niles Luther

Production

“For me, music production is the simultaneous amplification and canonization of new musical works that pay homage to the great classical tradition.” – Niles Luther

projects

Luther’s project philosophy prioritizes collaboration as the method through which cultural growth can occur. His collaborative style can be likened to that found in the classical string quartet–in so much that the sensitive quartet is often greater as a whole than the sum of its individual members. That augmented greatness, which first appears in the margin, beyond what any individual could conjure up themselves, is what makes collaborative work so meaningful. Taken with this concept,  Luther approaches collaboration with the mindset that full dedication to an artistic idea, even if that idea leads into intellectual uncertainty, even if that idea teeters on the edge of impossibility, staring tradition in the face, accepting it for what it is, and then turning its back, can generate something truly extraordinary. He means to utilize the diversity of thought and culture and understanding found within a group of people as the vehicle by which they will push the envelope of artistic possibility, not merely for the sake of forward movement, but in the knowledge that such daring will lead to groundbreaking artistic discovery.

Thusly, we flourish.

projects

Luther’s project philosophy prioritizes collaboration as the method through which cultural growth can occur. His collaborative style can be likened to that found in the classical string quartet–in so much that the sensitive quartet is often greater as a whole than the sum of its individual members. That augmented greatness, which first appears in the margin, beyond what any individual could conjure up themselves, is what makes collaborative work so meaningful. Taken with this concept,  Luther approaches collaboration with the mindset that full dedication to an artistic idea, even if that idea leads into intellectual uncertainty, even if that idea teeters on the edge of impossibility, staring tradition in the face, accepting it for what it is, and then turning its back, can generate something truly extraordinary. He means to utilize the diversity of thought and culture and understanding found within a group of people as the vehicle by which they will push the envelope of artistic possibility, not merely for the sake of forward movement, but in the knowledge that such daring will lead to groundbreaking artistic discovery.

Thusly, we flourish.

featured work

Program Notes

The Yellow Wallpaper

The Yellow Wallpaper is an original score composed and produced by Niles Luther, commissioned by the Kehinde Wiley Studio, for a film of the same name. The music seeks to support the films exploration of the contours of femininity and insanity, through the 19th century text of American novelist Charlotte Perkins Gillman, as well as the 19th century work of English painter William Morris.

Harp — Yun Chai Lee 

Clarinet — Juhyun Lee

Violoncello — Niles Luther

Bassoon — Damian Primis

Double Bass — Christopher Johnson

Program Notes

Scene 1: harp Prelude

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  • Scene 1: Harp Introduction 00:00

Scene 2: In the Garden

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  • Scene 2: In the Garden 00:00

Scene 3: Yellow Wallpaper

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  • Scene 3: Yellow Wallpaper 00:00

Scene 4: Epping Forest

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  • Scene 4: Epping Forest 00:00
Program Notes

Nocturne no. 1 in c minor

Nocturne No. 1 in C minor: ‘chant d’espoire’ is an original score composed, recorded, and produced by Niles Luther, commissioned by the Kehinde Wiley Studio, for the art film Tahiti. The thru-composed work juxtaposes the standard classical form with traditional aspects of South-East Polynesian music, engaging the French colonization of Tahiti in 1880. The work discusses the following question through music: Is assimilation tolerance of oppression?

Solos — Niles Luther

Violoncello I — Niles Luther

Violoncello II — Wolfram Koessel

Violoncello III — Ole Akahoshi

Percussion — Domo Branch

Program Notes

I. Avec conviction et avec une tristesse rigoureuse

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  • Nocturne 1 00:00

II. La Nouvelle Cythère

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  • Nocturne 2 00:00

III. Chant d'espoire

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  • Nocturne 3 00:00

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